Meet the opera stars of tomorrow

Each season, Calgary Opera’s Emerging Artist Development Program provides up to eight young singers with the opportunity to study and perform under a highly prestigious professional staff of teachers and performers.  This program acts as a bridge between post-secondary education and the professional opera world.

Enbridge believes in making communities culturally vibrant through investments in the arts. We thank them for their generous support of our Emerging Artist program.

Silent Night - November 8, 12, 14. Photo by Michal Daniel Photography

We thrive with your support.

Ticket sales cover about half the cost of producing live opera, even on sold-out shows. We rely on government funding, sponsorships from corporations, and charitable donations to ensure that opera is alive and well for our community. 

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Jennifer Sproule and Allison Cecilia Arends in Calgary Opera's The Brothers Grimm at Glendale Elementary School. Photo by Alex Bonyun.

Building generations of opera lovers.

Education programs are an essential part of what we do, enriching the experiences of our current patrons and building audiences for tomorrow through our student and young people outreach. This includes great programs like Let’s Create an Opera that gives students the opportunity to create their own original opera and the Opera in Schools Tour that brings one-act operas into schools performed by Calgary Opera’s Emerging Artists.

Talisman Energy believes the arts can make a positive difference to the lives of young people. We thank them for their generous support of our Education programs. 

Madame Butterfly (2014). Photo by Trudie Lee.

Contact Us

Arrata Opera Centre
1315 - 7 Street SW
Calgary, AB T2R 1A5
Phone: 403-262-7286
info@calgaryopera.com

New Work Development

Rose-Ellen Nichols, John Conlon and Michelle Minke in Calgary Opera's world premiere of What Brought Us Here. Photo by Alex Bonyun.

Under the artistic leadership of General Director & CEO W.R. (Bob) McPhee, Calgary Opera has shown a strong commitment to developing new works, building new productions, and developing the next generation of Canadian artists. Over the past nine seasons, Calgary Opera has presented six world premieres, four Canadian premieres, and many company premieres.

Calgary Opera's most recent world premiere, What Brought US Here: A New Community Opera, was based on the true-life stories of three new immigrants to Calgary.  The opera acheived great acclaim for its unconventional and powerful subject matter, rich original music and inclusive presentation.  Members of the contributing cultural communities were invited to perform in the production, as well as in the lobby prior to, during and post-show.

World Premieres to Date

Calgary Opera’s first commission was Turtle Wakes, a one-act opera for young audiences by Allan Gordon Bell and Rick McNair, which had its world premiere in Calgary in February 2001. The production of Turtle Wakes was revived in February 2005 for a public performance and a subsequent four-week tour of Calgary and southern Alberta schools and communities.

Filumena was Calgary Opera’s second commission and first full-length mainstage opera. Co-commissioned by Calgary Opera and The Banff Centre, Filumena featured an all-Canadian cast and production team. The opera received its world premiere in Calgary in January 2003, followed by a remount at the 2003 Banff Summer Arts Festival. Since then Filumena has been staged at Alberta Scene at the National Arts Centre in Ottawa (2005), The Banff Centre (2005), and Edmonton Opera (2005) as the opening production of the newly renovated Northern Alberta Jubilee Auditorium. The Calgary Opera production was broadcast twice on CBC Radio Two's Saturday Afternoon at the Opera and the Edmonton Opera production was broadcast on CBC television’s Opening Night.

During the 2006-2007 season, Calgary Opera presented the world premiere of another full-length opera by John Estacio and John Murrell: Frobisher, which was co-commissioned and co-produced by Calgary Opera and The Banff Centre. Frobisher had its world premiere on January 27, 31 and February 2 as the centerpiece of the Calgary Opera 2006-2007 season.

Calgary Opera’s fourth commission and second one-act opera for young audiences is Hannaraptor. Set against the backdrop of the Alberta Badlands, it tells the story of a girl whose determination to protect a beloved dinosaur skeleton propels her into a life-and-death struggle. Hannaraptor received its world premiere on April 5, 2008, performed by the singers in the Emerging Artist Development Program followed by four weeks of school performances in Calgary and southern Alberta.

During Calgary Opera's 2010-11 season, the company presented the world premiere of The Inventor. Calgary Opera's fifth commission and third full-length opera, The Inventor, tells the story of Sandy Keith, the black sheep nephew of the famous Nova Scotian brewer Alexander Keith. Sandy Keith lived many lives, that of a brewer, politician, good Samaritan, conman, husband to two different women, and… a terrorist? The Inventor explores these mysteries of Sandy Keith’s life, relating the story of a quintessential conman in words and music as lively and intriguing as Keith and the times in which he lived.

Calgary Opera is also a partner with The Dallas Opera, San Diego Opera, and San Francisco Opera in the new co-commission and co-production of a brand new work based on a landmark of the 19th century American fiction: Herman Melville’s Moby-Dick by Jake Heggie and Gene Scheer. Moby-Dick had its world premiere in Dallas on April 30, 2010 in the Inaugural Season in the much-anticipated Margot and Bill Winspear Opera House at the Dallas Center for the Performing Arts. Calgary Opera will present its Canadian premiere in January 2012.

With the company setting its sights on presenting its seventh commission over the next four seasons, Calgary Opera is taking a leadership role in commissioning and producing new works. No major Canadian opera company has produced as many new commissions in so short a time period. The presentation and creation of new repertoire is vital to the future of opera and it is equally important to keep looking for the next Verdi or Puccini of our time.
 

“Calgary Opera has become the Canadian leader in presenting Canadian and World premieres of new opera.” – Joseph So, La Scena Musicale