Xenia Puskarz Thomas

Hansel

Acclaimed by The New York Times as one of their “Top Five Breakout Artists of the Festival” for her performances under Mirga Gražinytė-Tyla as Aglaja in Krzysztof Warlikowski’s production of Weinberg’s Der Idiot at the 2024 Salzburger Festspiele. A recent graduate of Bayerische Staatsoper’s Opernstudio, her work there brought collaboration with some of the world’s most significant opera conductors such as Vladimir Jurowski, Daniele Rustioni, and Henrik Nánási. This included a range of roles like Lucienne (Die tote Stadt), Krystina (Die Passagierin), Dachsund/ Woodpecker (The Cunning Little Vixen) in Barrie Kosky’s acclaimed staging, Flora (La Traviata) and Mercèdes (Carmen). Recently Xenia made a series of high profile debuts including The Women in George Benjamin’s Picture a Day Like This at Teatro San Carlo under Corinne Niemeyer, and as La messaggera in a new staging by William Kentridge of Monteverdi’s L’orfeo for Glyndebourne Festival conducted by Jonathan Cohen. 

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